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With the light dropping quickly, I hesitated on the edge of the marshland, knowing the view I wanted sat just out of reach. Shoes in one hand, tripod in the other, I crossed the mud and rock, wading through cold water until the ground finally opened up.
Blue hour arrived as I settled into place. Two distinct layers of cloud moved slowly overhead, introducing a quiet tension against the stillness below. A thirty-second exposure softened the water and stripped the scene back to tone, form, and movement.
For a place so heavily photographed, the moment felt unexpectedly private. Mont Saint-Michel reduced to silhouette and atmosphere, distant, calm, and briefly alone.
Photo by: Bradley Basten
THE WORK
With the light dropping quickly, I hesitated on the edge of the marshland, knowing the view I wanted sat just out of reach. Shoes in one hand, tripod in the other, I crossed the mud and rock, wading through cold water until the ground finally opened up.
Blue hour arrived as I settled into place. Two distinct layers of cloud moved slowly overhead, introducing a quiet tension against the stillness below. A thirty-second exposure softened the water and stripped the scene back to tone, form, and movement.
For a place so heavily photographed, the moment felt unexpectedly private. Mont Saint-Michel reduced to silhouette and atmosphere, distant, calm, and briefly alone.
Photo by: Bradley Basten
THE WORK
THE WORK
With the light dropping quickly, I hesitated on the edge of the marshland, knowing the view I wanted sat just out of reach. Shoes in one hand, tripod in the other, I crossed the mud and rock, wading through cold water until the ground finally opened up.
Blue hour arrived as I settled into place. Two distinct layers of cloud moved slowly overhead, introducing a quiet tension against the stillness below. A thirty-second exposure softened the water and stripped the scene back to tone, form, and movement.
For a place so heavily photographed, the moment felt unexpectedly private. Mont Saint-Michel reduced to silhouette and atmosphere, distant, calm, and briefly alone.
Photo by: Bradley Basten
THE EDITION
SIGNED & NUMBERED
Edition of 30 per size.
ARCHIVAL PRODUCTION
Fine-art photographic print.
FRAMED OR UNFRAMED
Available as print only or framed.
CERTIFICATE OF AUTHENTICITY
Included with every artwork.
DESIGNED FOR CONSIDERED SPACES
See how artwork could live within your space. Shown here to give a sense of scale, composition and presence
Falls
Rolling
Paris
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